I don’t wanna die at James Franco’s house.
The first of two apocalyptic comedies this summer (the other The World’s End), This is the End is written and directed by Seth Rogen and Evan Goldberg and follows a group of celebrities as they stave off the armageddon at James Franco’s house.
End is a showcase for the immature sensibilities of Rogen and Goldberg, who up until now have built their careers on being rude and irreverent. But their films tend to revolve around male friendships, so while crude humour, immaturity and an anti-authority streak defines them, the bonds made through friendships is an appeal of their work too.
Whether its Seth and Evan in Superbad, or Britt and Kato in The Green Hornet, friendship matters. End chucks six actors together and the audience watches as their petty, childish needs bring out the worst in each other.
An oft heard complaint of Rogen & Goldberg is that their films are just about vulgarity and stupidity, but that’s a misconception. If anything that sort of behaviour reveals their intended themes and here it looks at what happens when friendships come under duress in an extreme situation. Just how far will these characters go to save themselves?
The film takes the actors’ personas and twists, amplifies and subverts. Michael Cera plays a cokehead, James Franco is pretentious hoarder of art and Jonah Hill is a two-faced and arrogant. The actors enjoy the opportunity to tear their own images to shreds.
Plot becomes less of an importance once the apocalypse rolls in. Danny McBride enters half-way through and plays the self-absorbed tool that’s become his stock in trade, giving the film something close to a villain.
The film hops from one genre to another (survival film, horror), which keeps it interesting. There are visual effects are on a scale that’s not often seen in comedies and there are indulgent moments and an over reliance on the masturbation jokes that waste a few moments.
Emma Watson storms into the film wielding an axe and high heels, but like the rest of Rogen & Goldberg’s output, End is very male-orientated. The introduction of Watson brings a funny and dark conversation to light, but the lack of female characters throughout their work is disappointing.
If you enjoy their brand of humour then there’s plenty to like in This is the End. With some well-placed cameos the film does more than enough for your time. There is the nagging thought that it could have been funnier, but what we have is a film that’s occasionally inspired and never less than good.